Korean Buncheong Moon Jar, H 6"
Meet the Korean Buncheong Moon jar, wheel-thrown by ceramist Seungki Min in Icheon, South Korea.
This glazed moon jar is a statement piece, brushed with white clay, which is one of the characteristic decorative feature of Buncheong ware called "귀얄기법" ("guiyal" technique).
Icheon ceramics have a history spanning at least a thousand years, evolving from supplying the Joseon Dynasty's royal palaces to forming a "ceramic village" that has naturally drawn potters from all over the country.
Potter's mark is engraved on the lower bottom of the jar.
Dimensions: opening ⌀ 3.2"; mid circumference 18"; H 6''
Glazed ceramic. Lead-free.
Wheel-thrown in Korea
About Buncheong ware: Buncheong ceramics emerged in Korea at the end of the 14th century from the tradition of inlaid celadon of the late Goryeo period(918-1392). In contrast to the refined elegance of Goryeo celadon, buncheong feels unassuming, natural and even rustic. However, in the 16th century, due to the Imjin war, Korean potters were taken to Japan, where they started to influence Japanese ceramics especially for use in Japanese tea ceremonies. In Japan, Buncheong came to be known as Kohiki and Mishima depending on the technique employed.
About Seungki Min: Ceramist Min Seung Ki holds both bachelor and master’s degree in Ceramic Arts from Kookmin University in South Korea. He has won awards in various ceramic competitions such as the Icheon Trend competition in 2010, Gwangju porcelain competition in 2008, and Beautiful Korean Ceramics Competition in 2007. He actively showcases his works in exhibitions, including his solo exhibition in Fifteen Gallery and Buk-Ak group exhibition at Dusan Art Square in 2012. His works are part of the permanent collection in Gyeonggi Ceramic Museum.
Seungki Min's ceramics sit at an interesting intersection: they honor historical Korean clay traditions, yet don't replicate them slavishly. By experimenting with colored slip, layered glazes and minimal form, Min pushes the material language of Buncheong and Celadon into new territory. His pieces speak to both past and present -- humble, meditative, and thoughtfully expressive.
